Perspective has its limitations, and before I become disenchanted, I like to play with it. This composition is a clear example of this process. When undertaking to paint a broad horizon, there are inevitably problems with aberrations. I am not going to write a treatise on perspective; I prefer to “paint it”. As for the curious spectator, I advise him to pay attention to the distinct manner, in which I painted the themes that keep repeating in the outer parts of each composition. And which compare two ways of painting the same thing. I must explain that I painted it all from the same point of view, my seat always being in the same place.
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Panorama on Lyme in Four Frontal Perspectives
Lyme, New Hampshire 2008. Oil on canvas. 4 pieces of 46 × 175 cms.
1 Panorama on Lyme in Four Frontal Perspectives, Artist's Statement
2 Panorama on Lyme Road 1
3 Panorama Lyme Road 2
4 Panorama on Lyme Road 3
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Felix de la Concha Museum
New England Paintings
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