My sculpture explores systems that incorporate space, time and the relationships between dynamic objects. The choreography of each piece is governed by a set of basic movements, facilitated by an arrangement of rotating joints and aerodynamic surfaces. The wind provides an unpredictable element of improvisation. Light, landscape and weather are integral to each sculpture. Many of the sculptures echo the vitality and gestures extracted from nature. The swaying of grass in a windy meadow, a flock of birds diving and swooping over the marsh, and the craning of a bird’s neck are patterns of movement that I have employed to give life to static forms.
The reflective qualities of stainless steel further the integration of the sculpture into its environment. Wind speed and direction, shades of light, time of day, precipitation, and seasonal color interplay to transform the qualities of light and movement. My sculptures are best viewed over extended periods to appreciate their interaction with their natural setting.
If you register and login you can view and post comments. (huh?)
One of the perks of membership is that you get to read and post comments on objects, museums, and other member's walls.
Comments aren't exactly secret (almost - though you do have to be 13 and have a working email address - anybody can register!) but they aren't totally public either - they aren't indexed by searched engines and the user agreement says you can't publish them elsewhere without their author's permission.
(And some users have chosen to restrict access to their personal walls - in which case you'll have to friend them before you can post to their wall.)
Please don't feel excluded. It doesn't cost anything to register. Just sign up and you'll be an insider in no time flat.
George Sherwood
Ephemera
Sculpturefest 2008
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