Worked on figure second layers. The tab has a detail shot. The guy in the red hat is the Nastagio of the title. He is the pictorial narrator or this story.
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That depends on what I’m doing. In the first layer I use bristle brushes. Second layer has softer brushes, either sable, badger, or synthetic. I’m not a brush fetishist, but the switch to soft is necessary to achieve the creamier looking upper layer. To answer your question, sixes to ones.
I have been a great fan of your work since I experienced it at the Laguna Art Museum in the “Everydayland” show in the 80’s. Thanks for the answer. There is a definite ‘lush’ quality to your work.
A fan from way back! That was a good show. I still have a box of those catalogues.
incredible. This may seem naive because you need to know I am really a clay person at heart but your sense of color values is amazing, along with contrast, shadow and everything else, not to mention exciting subject matter, which I can only imagine where it comes from deep in your psyche. This painting gets more beautiful by leaps and bounds daily.
Thank you, Leslie. It is moving very quickly. I might even finish this week. I amaze myself!
Nastagio's Breakfast, Day 11
Day 11 (8/7/12)
F Scott Hess (b. 1955)
Nastagio’s Breakfast
2012
oil on canvas
46 × 54 inches.
Available at Koplin Del Rio Gallery
1 Nastagio's Breakfast, Day 11
2 Nastagio's Breakfast, Day 11 Detail
F. Scott Hess Museum
Nastagio's Breakfast
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