Foliage. I am sick of foliage. All day today (15 hours in the studio), all day yesterday, and probably all day tomorrow. Foliage! I’ve painted every leaf the whole damn forrest!
If you register and login you can post comments. (huh?)
One of the perks of membership is that you get to post comments on objects, museums, and other member's walls. (Though some users have chosen to restrict access to their personal walls - in which case you'll have to friend them before you can post to their wall.)
Anybody can register - though you do have to be at least thirteen or older and have a working email address.
It doesn't cost anything to register. Just sign up and you'll be an insider in no time flat.
Gorgeous stuff Scott. I look forward to seeing some in person sometime. Couldn’t help but notice a little Silverlake in the background!
Yep, Silverlake snuck into the background. But nobody should try to find their house. The Hessquake shuffled the architecture rather dramatically.
This will show at Koplin Del Rio Gallery (Culver City, CA), in a group exhibition opening September 8th. The group theme is narrative.
Wish I could be there! Unfortunately I live in Houston now, but I will contact you the next time I’m in LA and maye you can point me in the right direction then.
Scott, your energy and the sheer ambition, skill, and compositional complexity of your work is amazing. Looking at what you’ve posted over time, I can think of no other artist who has maintained work at such a high level.
Thank you very much, Richard. It helps to have started doing this at a young age, and being able to paint uninterrupted for most of 35 years. In this piece I’m kind of surprising myself that I still have the stamina to go 15 hours without much of a break. I’m 20 again!
1 kudo
Here comes Botticelli’s workshop version. They didn’t spent so much time on the foliage. A lot of time has passed since then, but “money can’t buy me love”, as Sir Paul sang.
1 kudo
Nice piece of work Scott. Have to reflect on the action taking place.[Picture was taken in Navarra. Can’t help feeling like a little kid sometimes…]
Okay! There he is, the original nude hunter. I mean the guy on the horse!
Well, at least the artist’s union paid you time and a half and overtime for your sunday hours, right? I hope you don’t have to pull all nighters-that business is better suited for college kids than us/we AARP dudes. Oh, and the foliage looks lush and quite pretty.
Yep, overtime pay of minus 7 dollars an hour. I was working so hard I forgot to go in and watch Breaking Bad at ten.
As Andalucian had to look up the AARP and smile: I stretch out for a siesta in the foliage.
I agree, its amazing. It is really wonderful to be able to watch this take shape. I was surprised to watch the foliage take shape. You actually worked light to dark? Am I correct that you laid down a general bright chromatic impression and then subsequently added a darker, definition and individual shaping of the leaves? Hey, are they riding/running through Griffith Park?!
Duh – I had forgotten I could enlarge the paintings! Then I could notice all the definition you added over the “blur” of color you had laid beneath the foliage. Additionally I noticed the Juniper Trees in the background and the reservoir/lake. Distinctly Hollywood Hills I’d say!I’ve invented the landscape, but I walk in Griffith Park several times a week. Silverlake was in mind for the reservoir, but the houses are invented.
I laid down a patchwork of mostly earth tones, with a range of tonalities. Some turquoise, too. When it was dry I went back in and started doing the dark negative shapes. In some areas, before doing the negative darks, I’d lay in more distinct leaves and stalks, then paint around those too, being sure to leave some of that original earth tone next to it. Glazing, some midtone color, and highlights will pull it all together.
It is a feast to the eye and looks scrumptious. All these details separates the work of masters. You are becoming one.
Hi Faati, had to look up “scrumptious”; it’s like “appealing”. That’s what it is to me. Saludo de Andalucia/Spain
Yes, Adriana. Venus rises off the half shell and gets hunted down by hungry dogs!
Nastagio's Breakfast, Day 9
Day 9 (8/5/12)
F Scott Hess (b. 1955)
Nastagio’s Breakfast
2012
oil on canvas
46 × 54 inches.
Available at Koplin Del Rio Gallery
F. Scott Hess Museum
Nastagio's Breakfast
Friend F. Scott Hess Museum
(?)
Museum friends receive announcements of new additions to the museum and other noteworthy events.





F. Scott Hess







Visitor comments are presented "as is" and do not necessarily reflect the opinions or the values of the museum.