The final sketch before the painting. No grid was required for transfer. The man is angled toward the large trees to the left, to initiate the spiral form. An automobile sits outside to be replaced by the boat. Certain elements of contemporary civilization simply disturbed the ‘mythologizing’ process of the series. I wanted a timeless quality to pervade, and identifiable models of cars, televisions, phones, etc., would have disturbed this.
If you register and login you can post comments. (huh?)
One of the perks of membership is that you get to post comments on objects, museums, and other member's walls. (Though some users have chosen to restrict access to their personal walls - in which case you'll have to friend them before you can post to their wall.)
Anybody can register - though you do have to be at least thirteen or older and have a working email address.
It doesn't cost anything to register. Just sign up and you'll be an insider in no time flat.
The Sleep of Trees
F. Scott Hess (b. 1955)
The Sleep of Trees
2000
oil on canvas
48 × 64 inches
11 pm in The Hours of the Day series.
1 The Sleep of Trees
2 Preparatory Sketch 1
3 Preparatory Sketch 2
4 Preparatory Sketch 3
5 preparatory Sketch 4
F. Scott Hess Museum
The Hours of the Day
Friend F. Scott Hess Museum
(?)
Museum friends receive announcements of new additions to the museum and other noteworthy events.





F. Scott Hess



Visitor comments are presented "as is" and do not necessarily reflect the opinions or the values of the museum.